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Giving up them the wide flight of stairs which leads from the hall outside the supervisors’ workplaces to the stage and its conditions, they crossed the stage, went out by the supporters’ entryway and gone into the house through the main little section on the left. At that point they cleared their path through the first columns of slows down and took a gander at Box Five on the terrific level, They couldn’t see it well, since it was half in obscurity and in light of the fact that extraordinary covers were flung ludicrous velvet of the edges of all the cases. Deer hunting timberland boots. They were practically alone in the colossal, bleak house; and an extraordinary quietness encompassed them. It was when the majority of the stage-hands go out for a beverage. The staff had left the loads up for the occasion, leaving a scene half set. A couple of beams of light, a wan, evil light, that appeared to have been taken from a lapsing illuminating presence, fell through some opening or other upon an old pinnacle that raised its pasteboard bulwarks on the stage; everything, in this beguiling light, embraced a fabulous shape. In the symphony slows down, the drugget covering them resembled a furious ocean, whose glaucous waves had been unexpectedly delivered fixed by a mysterious request from the tempest ghost, who, as everyone knows, is called Adamastor. MM. Moncharmin and Richard were the wrecked sailors in the midst of this unmoving unrest of a calico ocean. They made for the left boxes, furrowing their direction like mariners who leave their boat and attempt to battle to the shore. The eight extraordinary cleaned segments stood up in the nightfall like such countless colossal heaps supporting the undermining, disintegrating, enormous bellied bluffs whose layers were addressed by the roundabout, equal, waving lines of the galleries of the terrific, first and second levels of boxes. At the top, directly on top of the precipice, lost in M. Lenepveu’s copper roof, figures smiled and scowled, giggled and sneered at MM. Richard and Moncharmin’s trouble. But these figures were generally intense. Their names were Isis, Amphitrite, Hebe, Pandora, Psyche, Thetis, Pomona, Daphne, Clytie, Galatea and Arethusa. Indeed, Arethusa herself and Pandora, whom we as a whole know by her case, peered downward on the two new directors of the Opera, who finished by grasping at some piece of destruction and from that point gazed quietly at Box Five on the excellent level.

I have said that they were troubled. At any rate, I assume so. M. Moncharmin, regardless, concedes that he was dazzled. To cite his own words, in his Memoirs: “This home brew about the Opera phantom wherein, since we previously assumed control over the obligations of MM. Poligny and Debienne, we had been so pleasantly soaks”- – Moncharmin’s style isn’t generally blameless – “had no uncertainty finished by blinding my inventive and furthermore my visual resources. It is possible that the excellent environmental factors in which we got ourselves, amidst an unfathomable quiet, dazzled us to an uncommon degree. It is possible that we were the game of a sort of mind flight achieved by the semi-murkiness of the theater and the incomplete despair that filled Box Five. At any rate, I saw and Richard likewise saw a shape in the container. Richard said nothing, nor I all things considered. In any case, we precipitously held onto each other’s hand. We stood like that for certain minutes, without moving, with our eyes fixed on a similar point; however the figure had vanished. At that point we went out and, in the anteroom, imparted our impressions to one another and discussed ‘the shape.’ The hardship was that my shape was not at all like Richard’s. I had seen a thing like a passing’s head laying on the edge of the case, while Richard saw the state of an elderly person who resembled Mme. Giry. We before long found that we had truly been the survivors of a hallucination, whereupon, immediately and giggling like maniacs, we raced to Box Five on the terrific level, headed inside and found no state of any sort.”